Although she's been writing for years, The Weird Sisters is Eleanor Brown's first novel, and her joy at being published is almost palpable.

In a birth announcement of sorts, Brown posted a photo of an early copy of the book on her blog and gushed somewhat adorably about its beauty. "The paper is beautiful and doesn't reproduce quite right in photos—it's a beautiful pearlescent white that glitters in light," she wrote.

It's true—the cover is gorgeous. That's nothing, though, compared to what's inside this delicious, wholly original novel.

Brown laughs when teased about her blog post.

"There's something about seeing the hardcover that just made it all feel very real and very close, and kind of brought home that I'd done something worth celebrating," Brown says.

Indeed, The Weird Sisters is a book worth celebrating. Because their father is a renowned Shakespearean scholar, the Andreas family communicates largely through the words of the Bard. It is not unusual for them to drop Shakespearean quotes into a conversation about, say, wedding rings or what to eat for breakfast.

The three Andreas sisters—Rosalind, Bianca and Cordelia, each named for great Shakespearean characters—come home to the tiny college town where they grew up when their mother is diagnosed with breast cancer. Rosalind (or Rose) doesn't have far to go, since she lives and teaches nearby in Columbus. Bianca (or Bean) comes home from her glitzy life in Manhattan after being disgraced at work. And the baby sister, Cordelia (Cordy), wanders home from her latest aimless road trip around America, broke, tired and pregnant.

The novel wonderfully captures how it feels to go home again—and all the bittersweet, mixed emotions that can come along with it. Who hasn't visited the parents and immediately reverted to a sullen teenager, or been home for the holidays and run into an ex at the grocery store?

"The reason I was interested in the story of the Andreas sisters comes very much from my family in broad strokes," says Brown, who has two sisters. "When we get back together, we tend to slip back into those roles."

It's a meaningful choice of theme for someone like Brown, who has lived all over the world and admits she has a constant longing to find a place where she wants to stay. Brown just moved from Florida to Colorado with her partner, writer J.C. Hutchins. She has also lived in England, Minnesota, Washington, D.C., San Francisco and Philadelphia.

And yet, she admits that someone had to point out to her the dichotomy between her own peripatetic life and the focus on home in her book.

"I did have a psychology undergrad degree," Brown laughs. "You'd think I would've picked up on that!"

Brown came late to Shakespeare, never really a fan until she studied at Oxford and got to see productions at the Globe and Stratford-upon-Avon. "That's when I really fell in love with the language and stories," she says.

Telling someone she's written a book about a family that speaks in Shakespeare quotes causes people "to kind of get that look in their eye, like ‘I didn't know there was going to be a quiz,' " she says. "But really this is about a family that is crippled by the fact that they're not talking honestly and openly with each other using their own words. Every family has patterns that hold them back."

In the Andreas' case, that pattern includes a dad who wanders around the house muttering things like, "Marry, sir, 'tis an ill cook that cannot lick his own fingers: therefore he that cannot lick his fingers goes not with me."

Huh?

"Here's one of the problems with communicating in the words of a man who is not around to explain himself: It's damn hard sometimes to tell what he was talking about," the sisters say, in the book's terrific first-person-plural voice. Capturing that voice—in which the sisters collectively tell the story—was no easy feat.

"It was tricky," Brown says. "I had to kind of devise the rules; for example, how many sisters have to be in the scene to use that voice? Technically, it was really difficult, but I thought it was important because when people talk about their families, they always slip into ‘we.' "

So different in personality and life choices, Rose, Bean and Cordy find it complicated to be under one roof again. Bean owes thousands of dollars to her former employer. Rose is engaged to a fellow professor who wants to live in England, while she prefers to stick closer to home. Cordy has no job, no money, no college degree, no health insurance and a rapidly growing belly. How they reconnect—with themselves, each other and their parents—is the heart of this funny, warm story.

It also bears mentioning that The Weird Sisters is a book nerd's nirvana: The whole family carries books with them wherever they go, and they read at any opportunity. Brown herself knocks off about 300 books in a good year, everything from romance to nonfiction. "Basically, I don't go anywhere without a book in my hand," she says.

None of this is surprising: The Weird Sisters is clearly written by a booklover. It's irresistible and the ending, although satisfying, comes all too soon.

SIBLINGS FOR HIRE
Patrick DeWitt’s one-of-a-kind Western, The Sisters Brothers, has the trappings of a classic but an attitude that’s decidedly contemporary. Charlie and Eli Sisters are brothers and guns for hire. When they’re enlisted by a wealthy settler to locate and eliminate a prospector named Herman Kermit Warm, they leave Oregon for California, embarking on the adventure of a lifetime. In the foothills of the Sierras, they find Warm’s prospecting claim, but along the way they encounter a variety of obstacles, including a group of crazed fur trappers, a witch and a bear. Their adventures are recounted by Eli, whose commentary infuses the novel with sensitivity and humanity. Shedding new light on old myths about frontier life, DeWitt’s book has plenty of action, and his sharply etched characters, though rooted in tradition, stand firmly on their own.

REMEMBER THIS
S.J. Watson’s electrifying debut, Before I Go to Sleep, has all the makings of a classic thriller. At the center of the novel is Christine, an amnesiac who has lost her memory after a strange accident. Each day, her husband, Ben—whom she no longer recognizes—must supply Christine with the backstory of their life together. At the prompting of her doctor, Christine begins writing in a journal, an exercise that will hopefully spark her memory. When Christine discovers that she’s written the words “Don’t trust Ben” in her notebook, she feels the ground beneath her feet shift yet again. Faced with fresh misgivings about the past as well as the present, Christine finds herself struggling to navigate a daily existence that’s marked by danger and doubt. Should she rely on Ben? And what, exactly, was the nature of her accident? Watson, who lives in London, writes with the assurance and polish of a seasoned author in his gripping first novel.

TOP PICK FOR BOOK CLUBS
The Weird Sisters, Eleanor Brown’s wonderfully appealing first novel, tells the story of a trio of sisters, each named by their eccentric scholar-father for a character from Shakespeare. Raised in Barnwell, Ohio, a quiet college town, Rosalind, Cordelia and Bianca Andreas spent their childhood engrossed in books and listening to their pater quote the Bard. Once out of the nest, though, the girls have very different experiences: Cordelia hooks up with a painter in New Mexico and gets pregnant, while Bianca has legal and financial troubles in New York. Meanwhile, Rosalind, the levelheaded oldest, remains faithfully in Barnwell, working as a math teacher. When the sisters learn that their mother has cancer, they return home for an unexpected reunion. Their time in Barnwell proves to be a period of awakening as they learn all over again the importance of family. Brown’s characters, like her prose style, are fresh and original.

In a debut about growing up, secrets and failures are predictably resolved when a family crisis reunites three bright but unhappy siblings.

As the daughters of a Shakespeare scholar, the Andreas girls are no strangers to the Bard. Oldest Rosalind (known as Rose) is named after the heroine of As You Like It, Bianca (Bean) has the name of the tamed shrew's sister and daddy's girl Cordelia (Cordy) bears the name of King Lear's devoted youngest. Their "weird"ness refers to Macbeth, although the three are far from witch-like, just averagely bookish women grappling with their unusual upbringing and some dubious adult choices. Drawn home to Barnwell, Ohio, because of their mother's breast cancer, the sisters reassemble uneasily in their parents' house—footloose Cordy, now pregnant; self-hating, morally dubious Bean, sacked after embezzling from her New York employers; and overly dutiful Rose. Quirky and perky, Brown's narrative uses light comedy to balance the serious life issues. The family's habit of quoting Shakespeare at every turn is less amusing, and there's also the curious plural narrative voice—"our sister," "our parents,"—seemingly the collective point of view of all three daughters. The story itself is a lengthy account of the women facing their demons, assisted by saintly parents, friends and neighbors who offer jobs, reassurance and romance. All's well that ends well.

Readable, upmarket, non-mold-breaking escapism.

This lovely debut novel is a tale of three sisters: Rosalind, Bianca, and Cordelia. Named by their father, a famous Shakespeare professor who communicates primarily in Shakespearean verse, they grew up surrounded by books near the campus of a small Midwestern college. Rose, the oldest, stays close to home and follows her father into academia. Bean, the middle child, leaves home for an exciting life in New York City. Cordy, the youngest, drifts aimlessly across the country. Life isn't turning out to be what the sisters expected, so each decides separately to return home to care for their sick mother. The sisters are less than thrilled when they learn all three have run home. Unfortunately, the key to starting the next chapters of their lives isn't hiding between the pages of one of their beloved books. VERDICT This novel should appeal to Shakespeare lovers, bibliophiles, fans of novels in academic settings, and stories of sisterhood. The narration is a creative and original blending of the three "Weird Sisters" as one.—Shaunna Hunter, Hampden-Sydney Coll., VA

You don't have to have a sister or be a fan of the Bard to love Brown's bright, literate debut, but it wouldn't hurt. Sisters Rose (Rosalind; As You Like It), Bean (Bianca; The Taming of the Shrew), and Cordy (Cordelia; King Lear)--the book-loving, Shakespeare-quoting, and wonderfully screwed-up spawn of Bard scholar Dr. James Andreas--end up under one roof again in Barnwell, Ohio, the college town where they were raised, to help their breast cancer–stricken mom. The real reasons they've trudged home, however, are far less straightforward: vagabond and youngest sib Cordy is pregnant with nowhere to go; man-eater Bean ran into big trouble in New York for embezzlement, and eldest sister Rose can't venture beyond the "mental circle with Barnwell at the center of it." For these pains-in-the-soul, the sisters have to learn to trust love--of themselves, of each other--to find their way home again. The supporting cast--removed, erudite dad; ailing mom; a crew of locals; Rose's long-suffering fiancé--is a punchy delight, but the stage clearly belongs to the sisters; Hamlet's witches would be proud of the toil and trouble they stir up. (Jan.)