The book of Genesis / illustrated by R. Crumb.
Summary:
Record details
- ISBN: 9780393061024
- Physical Description: 1 v. (unpaged) : ill., map ; 29 cm.
- Edition: 1st ed.
- Publisher: New York : W.W. Norton & Co., c2009.
Content descriptions
General Note: | From Genesis : translation and commentary, translated by Robert Alter, c1996; rev. by Robert Crumb. |
Immediate Source of Acquisition Note: | Donation ; Marni Stanley ; 2023/09. |
Search for related items by subject
Subject: | Bible. O.T. > History of Biblical events > Comic books, strips, etc. Bible. Genesis > History of Biblical events > Comic books, strips, etc. |
Genre: | Graphic novels. |
Available copies
- 1 of 1 copy available at BC Interlibrary Connect. (Show)
- 1 of 1 copy available at Castlegar Public Library.
Holds
- 0 current holds with 1 total copy.
Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
Castlegar Public Library | GN 222.1105209 BOO (Text) | 35146001572783 | Graphic Novel Non-Fiction | Volume hold | Available | - |
- Booklist Reviews : Booklist Reviews 2009 October #2
*Starred Review* Those who know Crumb only as a transgressive underground cartoonist or the eccentric subject of a Terry Zwigoff's hit documentary film may be surprised by his latest project, a faithful, unabridged adaptation of the first book of the Bible. But fans who have followed Crumb's career closely know that his recent output includes faithful adaptations of Kafka and other literary works. His version of Genesis, however, is the most ambitious and sustained work of his lengthy career. From the Creation story to that of Joseph and the sons of Israel, virtually nothing is missing, for the entirety of the text (mostly in poet and Hebraist Robert Alter's translation) is given, which dictates a rather caption-heavy presentation. Although such dramatic sequences as those of Noah's Ark and the destruction of Sodom and Gomorrah make for the most exciting passages, Crumb's vivid visual characterizations of the myriad characters, pious and wicked, make the most striking impression. His distinctive, highly rendered drawing style imparts a physicality that few other illustrated versions of this often retold chronicle have possessed. The centenarian elders show every one of their years, and the women, from Eve to Rachel, are as solidly sensual as any others Crumb has so famously drawn Copyright 2009 Booklist Reviews. - Kirkus Reviews : Kirkus Reviews 2009 September #2
The Book of Genesis as imagined by a veteran voice of underground comics.R. Crumb's pass at the opening chapters of the Bible isn't nearly the act of heresy the comic artist's reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesisâdrawing from numerous source texts, but mainly Robert Alter's translation, The Five Books of Moses (2004)âand he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a "straight illustration job, with no intention to ridicule or make visual jokes." But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarelyâas with the destruction of Sodom and Gomorrahâdoes Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author's respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb's immense talents as a draftsman and stubborn adherence to the script.An erudite and artful, though frustratingly restrained, look at Old Testament stories.Author events in New York, Richmond, Va., Los Angeles, San Francisco, Austin Copyright Kirkus 2009 Kirkus/BPI Communications.All rights reserved. - Library Journal Reviews : LJ Reviews 2009 September #2
This is the Bible that distressed 19th-century English philanthropist and man of letters Thomas Bowdler: not stories for sweet-faced kiddies, but sex and blood. Every verse in Genesis is here, unabridged, and treatedâas Crumb puts itâto a straight illustration job. They're a conniving and licentious crew, these folk, and the Almighty had His hands full in weeding out the best of the lot as Future Fathers of the Covenant. It's all about seed and sons, and while the men squabble over flocks and wives and land, the women squabble over progeny and baby-daddies. Crumb folded in a good bit of domestic life as well as battles and blessings, working from the King James Version, Robert Alters's recent translation of the Five Books of Moses, museum collections in England and Europe, and swords-and-sandals epics. Zondervan's manga Genesis, pitched to children, is heavily expurgated, but Crumb's is the real deal and deserves its "adult supervision recommended for minors" label. VERDICT We could not expect less from the patriarch of underground comixâthemselves notorious for sex and violence and deals gone sour. Indeed, Crumb's muscular, detailed black-and-white seems ideally suited to Old Testament scuffles and seaminess. Recommended for adult collections, especially in academic libraries.âM.C.
[Page 46]. Copyright 2008 Reed Business Information. - Publishers Weekly Reviews : PW Reviews 2009 September #2
Far removed from the satirical reimagining some might expect from the father of underground comix, Crumb's long-awaited take on the first book of the Bible presents the artist's own sensitive, visually intense reflections. Where most visual adaptations edit down their prose sources, Crumb has, strikingly, included every word of the Book of Genesis within his first major book-length work. His humanistic visual response to this religious text imbues even briefly mentioned biblical characters with unique faces and attitudes, and his renderings of the book's more storied personalities draw out momentous emotions inspired by the book's inherent drama. Throughout, Genesis is a virtual portfolio of Crumb's career-long effort to instill fluid cartoon drawing with carefully rendered lifelike detail. Some might miss Crumb's full stylistic and tonal range, but the source's narrative sweep includes moments of sex and scandal that recall the artist's more notorious comics. Indeed, this monumental visual adaptation's basic strategy may subvert simply by demanding a reconsideration of its source, one that continues to motivate the complex cultural struggles that have, for decades, preoccupied this master cartoonist's landmark work. (Oct.)
[Page 33]. Copyright 2009 Reed Business Information.